The 82nd Venice International Film Festival unveiled its full lineup.
Normally when you see lineups they are long lists. What we do that is different is break down the most important titles, and organize them in categories that are more intuitive, so it is easy for you to get the most important information:
Cover Story that breaks down the top films at the festival… and which films at last year’s Venice festival broke through.
Venice Industry News, which breaks out top distributors.
Venice Actor Spotlight, highlighting the top talent at the festival.
Venice Indie Filmmaker Spotlight, showcasing first and second-time filmmakers.
Venice International News, showing the top international filmmakers at Venice.
If you know anyone that we mention, we’d appreciate you forwarding it to them.
Below is the full breakdown:
Venice 2025 has films directed by Guillermo del Toro, Kathryn Bigelow, Noah Baumbach, Yorgos Lanthimos, Werner Herzog, and Sofia Coppola. And films starring Dwayne Johnson, George Clooney, Adam Sandler, Al Pacino, Cate Blanchett, Idris Elba, and Emma Stone.
In the past 12 years, many of the films at Venice have ended up winning Best Picture at the Academy Awards (Gravity, Birdman, The Shape of Water, Roma, Nomadland), with Roma and Nomadland also winning Venice’s first-place award, the Gold Lion.
Venice 2024 had some major Box Office/Oscar players:
The Brutalist
Dir: Brady Corbet
3 Oscars Won
10 Oscar Nominations
I'm Still Here
1 Oscar Won (Best International Feature)
3 Oscar Nominations
Maria & September 5
Both underperformed post-Venice sky-high expectations but earned 1 Oscar nom each
Beetlejuice Beetlejuice (out of competition)
$111M domestic opening
$452M worldwide
Babygirl
$28.2M domestic total
$64.6M worldwide
A24’s 2nd-highest-grossing film of 2024
Venice 2024 Gold Lion winner, The Room Next Door, did little business for Sony Pictures Classics domestically, earning $2.5M. However, it did much better internationally with $18.8M.
Will the Venice 2025 lineup snag an Oscar Best Picture win?
Here are the highest profile projects rolling into Venice this year, all in competition, destined for awards/high box office returns. Hopefully, though, they’re just really good cinema!
Dir: Noah Baumbach (Marriage Story)
Cast: George Clooney, Adam Sandler, Laura Dern, Riley Keough, Patrick Wilson, Greta Gerwig, Emily Mortimer
Producers: David Heyman and Amy Pascal
Distributor: Netflix
In theaters: Nov 14
On Netflix: Dec 5
Synopsis:
A famous movie actor Jay Kelly (George Clooney) and his devoted manager Ron (Adam Sandler) as they embark on a whirlwind and unexpectedly profound journey through Europe. Both men are forced to confront the choices they've made, the relationships with their loved ones, and the legacies they’ll leave behind.
This is the type of soul-searching film that Baumbach excels at. And transforming Clooney into a listless protagonist, who from the first look still seems to live in his own shadow, seems like a surefire hit.
Dir: Kathryn Bigelow
Writer: Noah Oppenheim (Jackie)
Cast: Idris Elba, Rebecca Ferguson, Tracy Letts, Anthony Ramos, Moses Ingram, Greta Lee
Distributor: Netflix
Synopsis:
Centered on White House staffers grappling with an impending missile strike on America, this gripping drama unfolds in real-time as tensions escalate.
Bigelow cemented her interest in films about US soldiers embroiled in foreign conflicts with The Hurt Locker and Zero Dark Thirty. A House of Dynamite continues this creative exploration, but there may be a fascinating angle where the entire movie is contained inside the walls of the White House. We haven’t seen her pull off psychological claustrophobia like that since Strange Days (1995).
Dir: Jim Jarmusch
Cast: Adam Driver, Cate Blanchett, Vicky Krieps, Charlotte Rampling
Producer: Joshua Astrachan (It Follows, Paterson, Gosford Park)
North America, UK/Ireland Distributor: Mubi
Synopsis:
Estranged siblings reunite after years apart, forced to confront unresolved tensions and reevaluate their strained relationships with their emotionally distant parents.
Dir: Yorgos Lanthimos (Poor Things)
Cast: Emma Stone, Jesse Plemons
Distributor: Focus Features
Synopsis:
Bugonia follows two conspiracy-obsessed young men who kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth.
The film is an adaptation of the South Korean comedy Save the Green Planet (2003, trailer). There’s a profound wackiness that feels perfect for Lanthimos to envelop with his directorial tendrils.
The Smashing Machine
Dir: Benny Safdie (Uncut Gems)
Cast: Dwayne Johnson, Emily Blunt
Synopsis:
The story of mixed-martial arts and UFC champion Mark Kerr.
Johnson looks unrecognizable in this poster. I wouldn’t be surprised if this gets him an Oscar nomination. This will also mark Benny’s first solo directorial film.
There are a number of films out of competition that look excellent, like:
Amazon MGM’s After the Hunt
Dir: Luca Guadagnino (Challengers, Call Me By Your Name)
Cast: Julia Roberts, Ayo Edebiri, and Andrew Garfield
Dir: Julian Schnabel (The Diving Bell and the Butterfly)
Cast: Oscar Isaac, Gal Gadot, Gerard Butler, Al Pacino, John Malkovich, Martin Scorsese, Jason Momoa
Sales Rep: CAA
Dir: Gus Van Sant (Good Will Hunting, Milk)
Cast: Al Pacino, Bill Skarsgård, Colman Domingo
Charlie Kaufman’s How to Shoot a Ghost (short film)
Cast: Jessie Buckley
Distributer: Kanopy
Two notable films that didn’t make the cut and will likely premiere at Telluride are:
Netflix’s Ballad of a Small Player (dir: Edward Berger)
Chloé Zhao’s Hamnet
Congrats to all the filmmakers.
THE VENICE INDUSTRY NEWS
Both indie and studio distributors came out in force at Venice.
Although Warner Bros. Pictures is not showing any films; they chose to premiere Joker 2 last year, and the bad festival reviews were a box office dagger ($58.3M domestic). However, they are showing one TV series out of competition under HBO Max Italy, Portobello.
Here’s a breakdown:
Netflix - 3 films in competition, 1 series out of competition
A House of Dynamite directed by Kathryn Bigelow
Jay Kelly directed by Noah Baumbach
Frankenstein
Dir: Guillermo Del Toro
Cast: Oscar Isaac, Jacob Elordi, Mia Goth, Christoph Waltz
Synopsis:
Victor Frankenstein, a brilliant but egotistical scientist who brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation.
The Monster of Florence (out of competition series)
Amazon MGM - 1 film
After the Hunt (Out of Competition)
Neon - 1 film in competition
No Other Choice
Dir: Park Chan-Wook (The Handmaiden, Decision to Leave)
Trailer with a highly saturated, sickly quality to it.
Synopsis:
After being unemployed for several years, a man devises a unique plan to secure a new job: eliminate his competition.
This is right up Chan-Wook’s alley, as he excels at playing with deeply disturbed characters who break out of tightly controlled settings, like in The Handmaiden. His imagery is electrically stylized with a neo-noir twist.
A24 - 1 film in competition, 1 out of comeptition
The Smashing Machine
Marc by Sofia
Dir: Sofia Coppola
Sony - 1 film
Synopsis:
Follows the story of a brave princess who transcends time and space.
Hosoda directed one of the best time-travel animated films ever made: The Girl Who Leapt Through Time (2006), so this new one in the same genre is exciting.
Mubi - 2 films in competition, 1 critics week
Father Mother Sister Brother directed by Jim Jarmusch
La Grazia directed by Paolo Sorrentino
Agon (Venice Critics week)
Focus Features - 1 film in competition
Bugonia directed by Yorgos Lanthimos
StudioCanal - 1 film, 1 series
Dog 51 (Out of Competition)
Cast: Adèle Exarchopoulos
Synopsis:
In a future Paris divided by class, an AI named Alma oversees society. When Alma's creator dies, cop Salia teams with Zem to unravel a mystery questioning their segregated world.
Adèle Exarchopoulos is building a niche in these French sci-fi films (Planet B, The Animal Kingdom). And there have been a whole string of US films that have dealt with the existential threat of AI (Mountainhead, AfrAId, Subservience); so this should be good!
A Prophet (out of competition series, based on Jacques Audiard’s A Prophet)
Two projects that have found studio distribution in the director’s home countries in Europe (one mentioned above is HBO Italy), the other:
Universal Pictures (France) - 1 film
My Tennis Maestro (Out of Competition)
Sales Rep: Playtime
Synopsis:
Italy, 1989. After years of hard training, 13-year-old Felice, carrying his father's expectations on his shoulders, finally sets out to compete in the national tennis tournaments.
VENICE ACTOR SPOTLIGHT
There are few roles Jude Law could not pull off, but his role as the Russian President and dictator Vladimir Putin may be his biggest undertaking yet.
Upcoming thriller film, The Wizard of the Kremlin (In Competition) from French filmmaker Olivier Assayas (dir. Carlos) is based on author Giuliano Da Empoli’s 2022 bestselling novel and will see Law alongside:
Jeffrey Wright
Alicia Vikander
Zach Galifianakis
Paul Dano
Synopsis:
Russia, early 1990s, in the aftermath of the USSR’s collapse. In a new world that promises freedom and flirts with chaos, a young artist-turned-TV producer, Vadim Baranov (Dano), unexpectedly becomes the spin doctor of a promising member of the FSB (ex-KGB), Vladimir Putin (Law).
This isn’t Law’s first time transforming into a notorious political leader. Not long ago, he starred as the monstrous and murderous Henry VIII in Karim Aïnouz’s Firebrand (2023, trailer). Law is fully committed to the role of the rotting king, very intentional in his cruelty, making him all the more convincing.
Mads Mikkelsen is one of the greatest underrated comedy actors of our generation. He’s starring in The Last Viking (out of competition).
Synopsis:
A bank robber released from jail must unlock his traumatised brother's (Mikkelsen) memory to recover stolen loot.
This one is going to be zany with the poster image showing a fairly robust, yet clueless Mikkelsen. He tilted this direction in Another Round, which was funny, and then tragic, and then the most uplifting film in recent memory (final Mikkelson dance scene).
Léa Seydoux in a weird art film? Yes, please! She co-stars with Tony Leung Chiu-wai (main character, In the Mood for Love) in Silent Friend (In Competition), a film that is told from the POV of a lonely tree in a botanical garden. Will Seydoux and Chiu-wai be lovers, casual passers by, or park employees? Unclear, but whatever this is, we’re in for it! First look photo of Chiu-wai + tree.
Double Willem Dafoe. The ultimate actor chameleon charms his way into two films, both in the Orizzonti section:
Dir: Kent Jones (2018’s Diane, Hitchcock/Truffaut)
Cast: Dafoe, Greta Lee
Sales Rep: Cinetic
Synopsis:
Legendary New York poet Ed Saxberger's (Dafoe) forgotten works captivate an eccentric group of young creatives, reigniting his artistic passion. Their intrigue intertwines with the bewitching presence of actress Gloria (Lee).
Dir: Gastón Solnicki
Synopsis:
Lucius Glantz (Dafoe), a veteran hotel manager in Vienna, fights to save his beloved establishment from a scheming realtor's plan to demolish it, leading to a clash of wills that even affects the hotel's renowned soufflé recipe.
In both, Dafoe assumes the role of a wise expert in his respective domain. He has a commanding presence on screen, and although he often plays supporting roles in larger Hollywood films, we love to see him front and center in any arthouse fare.
Valeria Golino co-stars in Elisa (In competition) and La Gioia (Venice Days). You may not recognize the name, but Golino was sensational in Rain Man, as Tom Cruise’s girlfriend, and more importantly, his moral compass (clip). She played in Frida (2002), Leaving Las Vegas (1995), and recently A Portrait of a Lady on Fire as a woman who commissions Noémie Merlant to paint her daughter’s portrait (trailer clip).
Elisa is the story of the daughter of an ordinary family, has been in prison for ten years for brutally murdering her sister. She believes she doesn’t remember what happened, but her fragmented memories begin to come into focus during meetings with the criminologist.
We’re not sure who Golino is, but there’s always a simultaneous softness and strictness about her that pulls us in.
Tidbits:
From Girl with the Dragon Tattoo to Mother Teresa. Noomi Rapace plays Mother Teresa in Mother (Orizzonti), which follows the pivotal moment in Mother Teresa's life, where she decides to leave the convent and launch her own order. We can’t wait to see if Rapace brings any wickedness to this role. Otherwise, it’ll be a sensational twist on her usual characters. First look image of Rapace.
Duse (In Competition, directed by Pietro Marcello) stars Noémie Merlant (Cate Blanchett’s character’s assistant in Tar). The film centers on the legendary Italian stage diva Eleonora Duse, through the latter part of her life, and her legendary career is now long over. Not sure if Merlant will play her in a flashback, but in Portrait of a Lady on Fire (2019, Winner, Best Screenplay Cannes), Merlant’s often stoic performance is a canvas of hidden desire (painting scene).
Mini Tidbits:
Denis Lavant, the greatest working actor (Holy Motors, Lovers on the Bridge), co-stars in François Ozon’s (Swimming Pool) In Competition film L'Étranger an adaptation of Camus' novel The Stranger.
Kevin Spacey is showing the trailer for Holiguards Saga — The Portal Of Force. It’s the first film he’s directed in 20 years. He also stars.
Chris Pine co-stars in The Kidnapping of Arabella (2025), an Italian film in the Orizzonti section. The film is about an Italian woman convinced she's the wrong version of herself. Not sure who Pine plays, but good on him for taking a big creative risk and joining this project. : Charades and PiperFilm will handle international sales.
VENICE DOC FILMMAKER SPOTLIGHT
Sofia Coppola is directing her first doc, Marc by Sofia (out of competition). The film will focus on designer Marc Jacobs.
The two have maintained a friendship for decades, with W Magazine stating:
“[Sofia] has played muse to Jacobs, starring in his campaigns, collaborating with him at both Louis Vuitton and later, on Heaven by Marc Jacobs, and directing his dreamy Daisy perfume ads. It makes sense that he’d choose her trusted lens to tell his story.”
Sofia has a really interesting relationship to fame (explored beautifully in Lost in Translation). So we’re excited to see how she turns her lens on Marc Jacobs. We can see from the still (above) that he thinks of her fondly.
Werner Herzog directs an anti-nature documentary, Ghost Elephants (out of competition):
Follows a mysterious herd of ghost elephants in the jungles of Angola.
You can see him editing the film and describing the project like Moby Dick in this 30-second 60 Minutes BTS video.
Iain Forsyth & Jane Pollard tore into the psychological rollercoaster of the musician Nick Cave in the BAFTA Nominated docu/drama 20,000 Days on Earth (trailer).
Their newest project is Broken English (out of competition doc) on Marianne Faithfull, a British pop star whose drug abuse in the 60s led to a period of inactivity, until her return to form with her album Broken English, which was much darker (listen here).
The directors have a hybrid style that combines music, film, and theater. This blended film has re-enactments with George MacKay and Tilda Swinton.
Cinetic has boarded as the sales rep.
Kim Novak’s Vertigo plays out of competition. It is a biopic doc from Alexandre O. Philippe, whose work is for film nerds, by a film nerd. Look no further than his previous Lynch/Oz (trailer) that dissected the crossover between the director and the famous film. Expect a blend of archival, V.O., and an interesting exploration of how Novak’s identity blurred with her iconic role in Vertigo.
Mini Tidbit:
Mike Figgis (dir: Leaving Las Vegas) Venice Classics doc, Megadoc centers on the tumultuous making of Francis Ford Coppola’s Megalopolis. If it’s anything like the Apocalypse Now making-of doc Heart of Darkness, we’re in for a treat. Teaser.
Lucrecia Martel, twice nominated for the Palme d’Or (The Headless Woman, The Holy Girl), has a new doc, Nuestra Tierra, playing out of competition. It follows the murder of an indigenous community's leader, Javier Chocobar. And how his killers lived as free men for nearly a decade. A lacerating doc on colonialism. International Sales Rep: The Match Factory (The Substance, Perfect Day). Domestic Sales Rep: Cinetic (Hit Man, Greenbook).
Tamara Kotevska (Neon’s Honeyland) has a new out-of-competition doc, The Tale of Sylian (2025). Dogwoof just picked up international sales rights. Centers on a farmer's bond with a white stork in North Macedonian folklore.
Aleksandr Sokurov, the director of the famous 1-take film Russian Arc, is directing Director’s Diary, a doc playing out of competition at Venice.
Tsai Ming-liang (who won the top prize at Venice in 1994 with Vive L'Amour) returns to the festival with Back Home. The doc plays out of competition.
Two docs made the official selection:
Un film fatto per Bene (2025)
Producer: Andrea Occhipinti (The White Ribbon, This Must Be the Place)
Dir: Gianfranco Rosi
VENICE INDIE FILMMAKER SPOTLIGHT
Shu Qi, the actress who plays the stock damsel in distress in The Transporter (trailer), has directed and written the Venice Official Selection, Girl. Even more impressive: it’s her feature debut.
Synopsis:
Hsiao-lee, a young girl, finds solace in her friendship with Li-li, who embodies the dreams Hsiao-lee had suppressed. However, Hsiao-lee’s aspirations are challenged by her mother’s past, which mirrors her own struggles and traps her in a cycle of despair.
The synopsis feels a bit overly complex, perhaps due to the translation, but there’s a dreamy circularity about it, combined with the circular Bokeh in the poster, which seems to convey a lot of conceptual unity.
Worldwide Sales Rep (minus Asia): Goodfellas (Megalopolis). Clip.
The film has just been sold to two foreign territories: French distribution company Ad Vitam (Whiplash, Good Time) and Italy for I Wonder Pictures (Eddington, The Substance). Goodfellas (Megalopolis, The Boy and the Heron) brokered the deals.
Mona Fastvold’s The Testament of Ann Lee (co-written by The Brutalist’s Brady Corbet) is in competition.
Synopsis:
Ann Lee (Amanda Seyfried), the founding leader of the Shaker Movement, proclaimed as the female Christ by her followers. Depicts her establishment of a utopian society and the Shakers' worship through song and dance, based on real events.
Fastvold is a genius at creating atmospheric films that allow the actors to underplay everything until the circumstances of the character’s proximity reach a fever pitch and get violent, like in her debut film, which premiered at Sundance, The Sleepwalker (2014), starring Christopher Abbott and future husband Brady Corbet (trailer).
Her sophomore film, The World to Come (2021), which premiered at Sundance and Venice and was acquired by Bleecker Street, harnesses a similar style: a raw, understated historical western that allows the score by Daniel Blumberg (The Brutalist) to do most of the heavy lifting. The fire comes both literally and in the form of a smoldering illicit romance (trailer starring Katherine Waterston, Vanessa Kirby, Christopher Abbott, and Casey Affleck).
The Testament of Ann Lee, which also stars Abbott, seems like she has inverted her understated style of cinema to create something more bombastic, although still contained within the 18th Century. That should make her still moments even more punchy.
Mark Jenkin is like the British Panos Cosmatos (Mandy). His cinema is full of found footage montage, surreal horror, and just the worst feelings of dread and psychosis. Just see his Enys Men (trailer), which Neon picked up after it played at BFI, Cannes’ Directors Fortnight, and NYFF.
Jenkin’s next film is Rose of Nevada (starring George MacKay and Callum Turner).
Synopsis:
Mysterious boat returns to a village 30 years after vanishing. Two men join its crew hoping for better fortune. After one voyage, they find themselves transported back in time, mistaken for the original crew.
If anything like Enys Men, it’s going to be a violent time travel film. It plays in the Orizzonti section. BFI Films is the production company. Sales Rep: Protagonist Pictures.
Potsy Ponciroli (EP: Jay and Silent Bob Reboot, Dir: Old Henry starring Tim Blake Nelson, trailer) directs the Venice Spotlight film, Motor City.
Synopsis:
In 1970s Detroit, MILLER falls in love with a local gangster's girl. In retaliation, the gangster enacts a frame job to send the innocent man to prison. Life ruined, Miller plots a revenge campaign against the man who took his girl away.
Starring Shailene Woodley, Alan Ritchson, and Ben Foster. Black Bear is the prod co and Sales Rep.
Every now and again, we get a dark fairy tale that graces the festival screen. The latest is IFC’s 100 Nights of Hero, Venice Critics Week closing night film.
It centers on a charming house guest who stumbles into a castle inhabited by an innocent bride (Longlegs’ Maika Monroe) and a maid (Emma Corrin).
The trailer is sexually charged and macabre, with a bit of Alice in Wonderland. Releasing Dec 5.
Want something else in this genre? Try Tale of Tales from Cannes 2015.
Mini Tidbits:
Venice Spotlight film, It Would Be Night in Caracas stars Edgar Ramírez (Gold) and Natalia Reyes (Terminator: Dark Fate). It is directed by Mariana Rondón and Marité Ugas, whose work focuses on people becoming animalistic under pressure. Their new film takes place in crumbling Caracas. For reference, check out their film Zafari (2024, trailer where everyone feels like prey).
Holy Boy, from director Roberto De Feo, is a terrifying out-of-competition film. It follows a teacher heading into a secluded village known as the happiest town in Italy. Of course, the happiness is a thin veil for utter madness (trailer). Fandango Sales is the sales rep.
Kinology (sales rep: Luc Besson’s Dracula) has picked up At Work (In Competition) from director Valerie Donzelli.
Venice Spotlight’s Hijra drops a trailer with some very angry camels. They take on a new meaning as they’re tamed by a young woman.
VENICE INTERNATIONAL NEWS
László Nemes’ (dir: Son of Saul) latest project is Orphan (In Competition).
Official Synopsis:
A young boy after the Hungarian uprising of 1956, raised by his mother with the tale of an idealized dead father, is confronted with a brutish man who claims to be his real father.
I hope this puts him back on the international map after his stiflingly locked-in POV film Son of Saul (2015) won the Grand Prix at Cannes for depicting the horrors of Auschwitz from the viewpoint of a member of the sonderkommando, the Jewish work unit. Its stiflingly locked-in POV is a horrifying precursor to The Zone of Interest.
Paolo Sorrentino's new film, La Grazia, is an official selection and the opening film. Sorrentino is a master of mesmerizing, ethereal, and thoughtful cinema.
Razor-thin plot details:
A love story set somewhere in Italy.
That’s most of his films:
The Great Beauty (2013)
Academy Awards, Best International Feature
Youth (2015)
Official selection, Cannes
Parthenope (2025)
Official selection, Cannes
Toni Servillo will star in La Grazia. He played the poetically self-indulgent yet eternally lost soul who starred in The Great Beauty.
Sun Rises on Us All is an in competition from director Shangjun Cai.
Synopsis:
The former lovers meet after many years. Estranged and fettered daily, open the sigh of the past. Love and sacrifice, repentance and repayment. Heavy burden, carrying not only her but also him. Finally say goodbye again, painful heart but then wake up, lost two people finally embrace and cry.
Cai’s film People Mountain People Sea (2011) won 2nd place at Venice.
Tidbits:
Sol Bondy (producer: Holy Spider, Köln 75, and Co-P: The Secret Agent) co-produces Venice Spotlight’s Calle Malaga about an aged Spanish woman (evocative first look still) in Tangier who resists her daughter's decision to sell her home.
Kaouther Ben Hania (dir: The Man Who Sold His Skin, Four Daughters) directs the in competition film The Voice of Hind Rajab.
Laura Poitras (dir: All the Beauty and the Bloodshed, the 2nd doc ever to win the top prize at Venice) co-directs the out-of-competition doc Cover-Up.
VENICE DAYS
Emily Hickin, who served as Matrix 3 EP Garrett Grant’s assistant on The Book of Clarence and assistant UPM on Warner Bros.’ shelved Batgirl, produces Bearcave.
Synopsis:
A mystical cave, a nettle pie and an unexpected betrayal spur a romantic adventure between two childhood friends.
Christos V. Konstantakopoulos (Producer: Before Midnight, EP: Midnight Special, Co-P: The Lobster) EPs A Sad and Beautiful World.
Synopsis:
In this cosmic romance set in Beirut, two star-crossed lovers, one an eternal optimist and the other an impulsive pragmatist, must decide if they want to build a family and chart a track to happiness.
Directed by Cyril Aris (Dancing on the Edge of a Volcano).
Kenyan sci-fi?! Enter Damien Hauser’s Memory of Princess Mumbi.
Synopsis:
In 2093, young filmmaker Kuve travels to the remote village of Umata to document the aftermath of a devastating war that outlawed post-2040s technology and brought ancient kingdoms back to life.
Worldwide Sales Rep: Paradise City Sales (Prod Co: Call Me By Your Name, Atropia).
Tidbits:
Stacy Perskie (prod: Iñárritu’s Bardo) produces Vainilla the directorial debut of Mayra Hermosillo (actress: Narcos: Mexico).
Full list of films here.
See the full list of 2025 Venice films here.
Written and edited by Gabriel Miller.
Super useful article!